With just two pages to go before I finished Two Lives, I remembered Vikram Seth is also a poet. A quick scan through the pages after I was done revealed that though this is no The Golden Gate, his novel in verse, the prose is nothing if not rhythmic. Almost as if Seth sung out his lines as he wrote them. (I actually think such writing would be instinctive for him). Here's a simple example I've picked out, "A patient rang the doorbell; he was in acute distress. Henny told him that Shanti was too ill to help him. But when Shanti came out of his room and recognised the man, he told Henny that he could not go into hospital without treating him."
In a double biography, an intertwined meditation, where the author is anomalous third briad, sometimes visible, sometimes not, there are intriguing possibilities of structure. For one thing, in what order should one recount events? ...Though I now know where to end this book, I did not at first know where to begin it...
Shanti left Germany in 1936, though not before coming across Hitler in a Berlin park, surrounded by SS men. "He had a bridge in his mouth and he was made up with lipstick and all," he told the author. "I thought he might be a homo - but later on I found out they were going to film him in color."

